Nilthene and the Blue Dragon

I wrote this for The Hoard of the Dragon Queen Campaign for Dungeons and Dragons. As such, there be SPOILERS here. You have been warned.

This is the full speech that my Dragonborn sorceress Nilthene Silvermine delivered to the Blue Dragon Lenethon in our last session in order to get him to leave the Governor’s Keep of Greenest alone.

It began when Nilthene utilized her Message Cantrip, and addressed the attacking Dragon in the Draconic Language. 

“Great Dragon, Draconic Elder. I am the Dragonborn Nilthene of the Clan of Silvermine. On behalf of the people of Greenest, and in accordance to the Ancient Ways, I wish to make parley with you. Please meet me on the parapet of this Tower, if you would be so inclined. Thank you.”

Then, surrounded by Greenest’s terrified archers, the Dragon rose up to meet with Nilthene, and her Druid companion who had been brave enough to risk instant vaporization from lightning breath. 

“May I ask whom it is that I have the honour of addressing, Great Dragon?”

At this point, he said “You may,” and he revealed himself to be the Blue Dragon Lenethon. The rest of my speech, which I delivered in part, and kept to the spirit thereof is the following. 

“Lenethon, I would like to thank you for your patience as I make my case, and request that you withhold your judgment until I say my peace. Is that acceptable?”

For the moment, it was. The rest is as follows.

“I am born of the Silver Dragon Alesandra’s line, and while I know that the Chromatic and Metallic Dragons clash in many ways, our blood does agree on one thing. Dignity.”

“The people of Greenest have little to offer you — and you personally. They have some baubles, a few minor trinkets, but most of their wealth comes through trade and agriculture. But I suspect you already know this or, if not, it is unimportant to you.

“The Cult of the Dragon has always trade to seduce Dragons of … lesser stature and hoards into becoming undead abominations: animated idols that they worship to fill their own empty lives. They have never truly respected the blood of a true Dragon.

“This … new Prophet of their, Severin Silrazrin, and his lieutenants Fulram Mondath and Langedrosasyrith seem no different. In fact, they’re even less worthy. You see, I think the ‘Prophet’ actually leads a breakaway sect of the group, worshiping Tiamat. Or he has not consolidated his power as much as he’d like others to believe. You’ve surely noticed how his Cult relies on the services of mercenaries, hungry only for gold instead of glory, and mindless kobold slaves.

“In fact, I am fairly certain that the only reason this fledgling order even took Greenest, and the other settlements in the area is because of your power. Your majesty.

“And they offer you … what? Small trinkets and farmland? It’s barely enough to fill a Dragonborn’s hoard, never mind a Great Dragon’s … or that of Tiamat herself! It is an insult! I’ve spent my whole life trying to learn about the progenitors of my line and race, to come towards the greatness of the true Dragons — of yourself — and I know that this is all petty and beneath us. Beneath you.

“You could have destroyed this town many times over. You could have killed myself and my group: whom Mondath wants dead. But that is also beneath you. You know your power, and I think that you know theirs.

“I know I’m also not a Dragon. I am not of Tiamat either. I have an attachment to these humanoids: as a parent to their hatchlings. But I know you do not.

“So, I beg your indulgence once again, and ask you: why do you serve a sect that can’t even raid small villages without your help? And is there a way that you may be persuaded to spare Greenest, or at the very least leave those who would worship grotesque undead mockeries of beauty, and pay lip service to Draconic powers that they will never understand?

What can the Cult of the Dragon do for you? And what can we do to change your mind?

We await your answer, Great Lenethon. Thank you.”

In the end, after he nearly took offense to the first part of the speech, I shortened it to saying that the Cult was unworthy of him and had nothing to offer him. Then I asked what we could do to convince him to leave the Cult and Greenest. He gave us our quest. Now I hope to fulfill it … and not die for over a thousand years. And who said Level Two characters had boring adventures. 

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Do You Want to Know My Secret Identity: Professor Marston & the Wonder Women

I haven’t had the opportunity to see any advanced screenings of Professor Marston & the Wonder Women yet and, as such, I only have the majority of positive advance reviews to go on. Nevertheless, the…

Source: Do You Want to Know My Secret Identity: Professor Marston & the Wonder Women

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Back to the Past with Samurai Jack, Part 2

In Part I of “Back to the Past: Samurai Jack,” I began to look at Genndy Tartakovsky’s final season of his series in terms of its strengths and weaknesses with regards to its overall physical…

Source: Back to the Past with Samurai Jack, Part 2

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Back to the Past: Samurai Jack

So, this past while I’ve been ruminating over Samurai Jack. Originally, I focused on Aku and how ridiculous he is as a villain. However, like I said in my first article on the subject Aku…

Source: Back to the Past: Samurai Jack

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Whatever Happened to the Legends of Tomorrow?

It had been advertised for a little while before. The teaser commercial and trailer were fascinating. The Flash had reached another critical story arc mass and Arrow was continuing on. Moreover, in the wake of…

Source: Whatever Happened to the Legends of Tomorrow?

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An Age of Resistance: Legends, Myths, and Shadows

It was a surprise. The Jim Henson Company had been seeking to revisit the world of Thra for quite some time. There were, of course, developments. TokyoPop’s Legends of The Dark Crystal and The Dark…

Source: An Age of Resistance: Legends, Myths, and Shadows

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The Plan

It’s been tough.

I’ve been going through a lot of personal issues lately. And these issues have been further compounded by writing problems.

In my last post, my last real one aside from reposts of my other work, I was inspired by Brandy Dawley to actually attempt to personify or give form to my inner critic or judge. If you haven’t seen it already, you should check out her Medium article  On Creative Paralysis, Feeling Naked Online, And My Inner Critic Whose Name is Chad: which is what inspired my Mythic Bios post “Time.”

I’ve been thinking about why I haven’t really been creative writing for a while. Originally, last year now, about the time I saw Stan Lee, Alex Kingston, and Michelle Gomez at Fan Expo I was charged enough — re-energized and inspired — to attempt writing full-time for Sequart. The idea was that I would write my 15K words on the side while I re-innovated my Patreon, and only doing so after having something of a centralized creative project or clear series of goals with regards to said project with which to work towards.

But 15K words a month is a large commitment. And perhaps even more than that, there is a difference between writing something that is analytical as opposed to being creative. It’s true that I am fairly creative in expressing myself and my words and viewpoints in my critical writing, and that does tide me over, but it really isn’t the same. Sometimes I become very mindful of the fact that I am not really making anything original. I’m not making something that is mine. While I have made good contacts and gotten my critical writing out there, and got to examine some fascinating creative processes, I can’t really take credit for them. They aren’t my own: at least not the source material that I write about.

This feeling can fuel Imposter Syndrome considerably. I may have to actually cut back, or down, on my analytical writing into the near future. There are some topics I definitely do what to still address and I won’t rule them out, but I need to make the space to create my own primary material once again.

So what will I do instead? Well, I have comics that I need to catch up on reading. And films and television shows that I definitely need to watch. I do require inspiration to continue my good work. I also need to take care of myself and possibly get to the point where I can go to bed at reasonable — read sane — hours.

And this leaves us at what I want to ultimately do in the future. Well. The good news is that recently I have sent out three creative pitches to the Toronto Comics Anthology. It just felt time to put my money where my mouth is. But that is only a start.

I need to go through my notes and my notebooks. I need to type out and I edit what I have of at least perhaps three or four creative worlds I’ve left for far too long. I need to decipher my notes, type them out, and make sense of it or discard what I have and start fresh.  Then I need to go back to my Patreon, however daunting it may be and challenging as you need to have a strong following and project to get anywhere, and redesign it accordingly. I am not a graphic artist or illustrator or even a video maker, but perhaps I can do something about replacing my picture on the top border, and making my funding goals clearer for me and anyone who potential wants to back my work.

I still have some critical pieces I want out there, but I think what I will do is return back to the Mythic Bios approach to these matters and write the personal into the critical as I used to do.

All of this is easier said than done, and I have said similar things in the past. I realize I can’t force a lot of this, but if I make the space and just record what I have, and read and write and not force it, I could form something else. I know I can still do this. I’ve been working on a public fanfic that is now forty-five chapters long and counting. I find that I actually thrive on just writing, on doing some research when I need it for a day or so, but then just writing on wards and writing more to back up what I wrote before. I am stronger when I just keep going. This and actual feedback through kudos and comments really does help me, and it is something I should definitely bear in mind. I just need to find the format and the media for it as I am not sure, for example, that A03 is the best place to publish original work.

I find I am at my most powerful when I am painfully honest. And that is scary. But if I have any hope of getting to where I need to be, I need to be at my best. I know that hard work is not a guaranteed method of success, but a lack of work is a guarantee method of no success. It isn’t even failure. Failure doesn’t happen when you don’t even try. And not trying is inaction and nothing. But reading and writing aren’t nothing, even if they are just focused on a fan work.

The point is, I hope to make some changes and to continue the ones that I have begun. I hope that those of you that still follow this Blog and my media will be there to see what I will do next.

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